Renowned Mohawk artist Shawnee Kish expresses immense joy when audiences appreciate her track “No Evil” featured on the popular series “North of North” broadcasted on APTN, CBC, and Netflix. The dynamic pop-rock anthem is showcased in the show’s third episode, focusing on a contemporary Inuk woman, Siaja, as she embraces motherhood and a new career following a public marital departure.
Kish, a Juno Award nominee for contemporary Indigenous artist or group, is delighted that her music is being discovered through a series promoting female empowerment and resilience. The show’s soundtrack also highlights the talents of two other Juno nominees: Inuit throat singing duo PIQSIQ and Haisla hip-hop pair Snotty Nose Rez Kids.
The global exposure provided by “North of North” not only amplifies the reach of Indigenous artists but also enables them to share authentic narratives that educate and resonate with audiences worldwide. The fusion of traditional and contemporary music genres in the show’s eclectic soundtrack has garnered substantial praise for its ability to connect emotionally with viewers.
Stacey Aglok MacDonald, co-creator of “North of North,” expresses astonishment at the show’s reception, emphasizing the significance of featuring Indigenous artists and their music in reaching a broader, mainstream audience. She highlights the collaborative efforts that have led to the show’s success and the positive impact it has on inspiring younger generations.
The evolving landscape of Indigenous music is exemplified by the increasing recognition of Indigenous artists at prestigious events like the Juno Awards. Noteworthy achievements by artists like Snotty Nose Rez Kids, PIQSIQ, William Prince, and Crystal Shawanda showcase the diverse talent within the Indigenous music community.
Alan Greyeyes, director of the sākihiwē festival, emphasizes the importance of recognition within and outside Indigenous categories, suggesting the need for more specific award categories to honor distinct Indigenous cultural traditions accurately. The ongoing support from organizations like the Canadian Academy of Recording Arts and Sciences and the Indigenous Music Office plays a crucial role in fostering cultural revitalization and creating opportunities for Indigenous artists.
Melody McKiver, an Anishinaabe musician and composer, underlines the power of music in facilitating conversations about history, resilience, and reconciliation. Indigenous music, deeply ingrained in Canada’s cultural fabric, continues to evolve, reflecting the enduring creativity and resilience of Indigenous artists across the country.
Shawnee Kish remains committed to creating safe spaces for Indigenous individuals to express themselves authentically, leveraging her platform to empower the next generation of Indigenous artists to embrace their heritage and share their unique voices with the world.
