After portraying Moira Rose for over six years, Catherine O’Hara has decided to bid adieu to her iconic character. Recognized for her role as the eccentric matriarch on the hit show “Schitt’s Creek,” O’Hara embodied the flamboyant persona with extravagant outfits, quirky vocabulary, and intense parenting moments. With the final season garnering significant attention from fans, the esteemed actress is gradually parting ways with her most enduring character.
In a recent interview with CBC’s Anna Maria Tremonti, O’Hara discussed the disparities between herself and Moira, acknowledging that she lacks her character’s audacity. She also shared insights on her fondness for ensemble casts and the potential benefits of improvisational training. This conversation marks the inaugural episode of Tremonti’s new podcast series, “More with Anna Maria Tremonti,” set to debut on January 28.
When asked about relinquishing Moira after the show’s conclusion, O’Hara humorously admitted her difficulty in separating herself from the character. She expressed surprise at the widespread admiration for Moira, often finding herself fielding questions from fans in character rather than as herself. Despite the attachment to Moira, O’Hara acknowledged her impending nostalgia for the role.
Reflecting on her uncertainty when initially committing to the series, O’Hara confessed to apprehensions about signing on for a long-term project. However, the experience turned out to be immensely rewarding, with O’Hara emphasizing her gratitude for the opportunity. Working alongside co-star Eugene Levy, she found the familial dynamic on and off-screen to be enriching and collaborative.
Having collaborated with Eugene Levy over the years, O’Hara found the experience of working with his son, Dan Levy, particularly poignant. Recalling a pivotal moment during the show’s inception, O’Hara reminisced about the emotional significance of working with both Levys simultaneously. She highlighted the evolution of her career, emphasizing her deep-rooted connection to various creative families throughout her professional journey.
O’Hara’s career trajectory has been marked by a series of collaborative ventures, from her early days in Second City and “SCTV” to more recent projects like “Beetlejuice,” “Home Alone,” and “Schitt’s Creek.” She attributes her success to the supportive and talented individuals she has had the privilege of working with, underscoring the joy she finds in collaborative endeavors.
While some artists gravitate towards solo projects, O’Hara’s preference lies in collaborative work, citing the enriching experiences and relationships fostered through teamwork. She values the camaraderie and shared knowledge that come with collaborative efforts, highlighting the sense of belonging and fulfillment she derives from working within a creative ensemble.
For those intrigued to delve deeper into O’Hara’s reflections and anecdotes, the full interview is available on various podcast platforms, including Apple Podcasts, Google Podcasts, and Spotify. The candid conversation sheds light on O’Hara’s career trajectory, her affinity for collaborative work, and the transformative power of creative partnerships.
